🥊 Bandung Contemporary Art Award 2017

Overthe course of his brilliant career Ajip Rosidi (b. 1938) has worn many hats: poet, playwright, novelist, researcher, translator, journalist, ethnomusicologist, biographer, publisher, editor and cultural bureaucrat. If I were to reduce these many activities to a single, over-arching program, his contribution might best be summarised as follows: quite early in his career he realised that OZclusiveTer-Friendly di OZ Radio Bandung Friendly Music Award 2017 "Pamit" sebagai Lagu Ter-Friendly di OZ Radio Bandung Friendly Music Award 2017; Favorite Male Singer di Choice; Penyanyi Favorit di Indonesia Kids Choice Awards 2017 Global TV; Male Singer of The Year- Indonesia Choice Awards (ICA) Netmedia Postsnavigation. 1 2 8 Next Page →. Search for: Arecipient of several awards and scholarships, Lieros studied art in Switzerland and Italy between 1958 and 1963. Architecture in the Visual Culture of the Bandung Conference, 1955. Art historian Y. L. Lucy Wang analyzes the architecture and photographic record of the 1955 Bandung Conference, revealing the ways in which the event visually TheMadrid-based firm was awarded the 2007 prize for a contemporary art museum that both serves functional requirements and makes a unique and strong architectural statement. A rainbow of colored panels defines the exterior, but the inside is a spare and meditative space for viewing works of art. Christian Richters. 2005. Anugerahseni itu untuk mengembangkan seni rupa kontemporer di Indonesia agar bisa diakui dunia. Bornin Germany and raised in Kenya. Sarah Younan worked in the areas of conservation, restoration and theatre stage design in Germany prior to beginning her fine art studies in the Netherlands in 2007. Younan moved to Wales in 2009 and completed her PhD at Cardiff School of Art and Design in January 2016. As an artist, Younan has exhibited work both in the UK and abroad. Bornin 1961 in Bandung, Indonesia, she established herself in the 1980s as a pioneer in the field of performance art in Southeast Asia, although her practice also incorporates a wide variety of media. Arahmaiani shortlisted for Balestier Award January, 2017. Taboo and Transgression in Contemporary Indonesian Art, Arahmaiani Jan2017 - Apr 2017 4 months. Kuala Lumpur, Federal Territory of Kuala Lumpur, Malaysia Library Intern S.14 Art Space & Library Volunteer for the Bandung Contemporary Art Award #4 (Bandung, Indonesia) View Yasmine's full profile See who you know in common Get introduced Contact Yasmine directly Nominated for Philippine National Book Award. Textbook: The Contemporary World. Quezon City: C&E Publishing. 2017. With Patricio N. Abinales. Carlos Romulo and the Other Bandung." Southeast Asian Studies, 4, no. 1 (2015): 193-220. • The Manila Review was the only venue for long form arts and letters commentary in the Philippines Aboutthe Author(s) Bonnie G. Smith is Board of Governors Distinguished Professor of History Emerita at Rutgers University. She is the author of several books, including Women's Studies: The Basics (2013) and Europe in the Contemporary World: 1900 to Present: A Narrative History with Documents (2007).She is also the coauthor, along with Lynn Hunt and Thomas R. Martin, of The Making of the West TopTen in all national league tables. The urgent need for a net zero built environment. Curbing global warming is probably the biggest challenge we face - and the Intergovernmental Panel on Climate Change's latest report highlights the urgency with which we need to act. GGNYFJ. An unknown man offered me a lewd yet god-fearing proposition in December 2018, eerily coincidental to the period when I was just beginning to construct the conceptual foundation of Good Boy, an unfinished, objects-based performance installation planned to be presented in the physical show of RCA 2020. The project expands my homoerotic vocabulary to unexplored terrains of pup play, BDSM and chemsex as I was also expanding and experimenting with my methods of performance-making to incorporate texts, minimalism and abstraction. Good Boy’s production, unfortunately, had to be put on hold due to the current pandemic and I have yet to find a suitable method of presentation that fits into the screen-based, online exposition that gives justice to the physically focused piece. I’ll be a Good Boy is hence, a tangent project of the aforementioned. I revisit a material that has only been referential, the messages themselves. They have been dissected and rearranged into a soliloquy that may resemble a prayer with two distinct segments, made clear by the language shift from Indonesian to English. The work will be sent directly to the audience’s mobile device through WhatsApp, the exact application where I received them. Accompanying the 49-lines, sometimes one-phrase messages would be a digital photograph, taken from my mobile phone that has never left their intended platform for any editing. Hence the work will and should never leave the digital platform but to remain within the mobile device which could function as its pedestal. I’ll be a Good Boy is an invitation to dominate as well as a request to submit. Borrowing the situation of sexting, which could be abusive and non-consensual, it is also a reflection of online sexual trolling that may be borderline harassment that blurs and questions the extent of private, anonymous space of homoerotic sub-culture. A demonstration of a possible reading to perform the text will be held daily at BST from 14-31 July through my Instagram live kelvinatmadibrata. The work comes in an edition of 100+1AP, specifically made for the presentation platform of RCA 2020. The work is free of charge and accompanied by a digital certificate of authenticity but its availability is on a first-come-first-served basis. To request an edition, please text “I’ll be a Good Boy” to +44 7999 905 913 through WhatsApp and the work will be sent as a reply to that text. Note to audience+ Due to the high volume of messages you will receive 49 text messages and 1 digital photograph, it is recommended to mute notifications from +44 7999 905 913. + There is no specific time when the work will be sent neither can you request for a specific time to receive the texts. + If you do not receive any replies from +44 7999 905 913 after twenty-four hours means that all available editions have been redeemed. + Your mobile numbers will not be saved neither will it be used for any purposes other than to deliver the artwork. + The number +44 7999 905 913 will only operate from 14-31 July 2020 and will cease operation shortly after the end of RCA 2020. I'll be a Good BoyMedium WhatsApp messages and photograph taken with iPhone8 cameraSize 49 bi-lingual text messages and image, edition of 100+1AP Carla Bianpoen and Stevie Emilia The Jakarta Post Jakarta ● Thu, December 21, 2017 2017-12-21 0958 2000 1f87594453bb792833e1ece3a2e6eecd 4 Art & Culture art-and-culture,Art-Jakarta-2017,biennale,Biennale-Jogja,Jakarta-Biennale,Europalia-Arts-Festival,Art-Stage-Jakarta-2017 Free Undeterred by continuing commercial quiet in the art world, Indonesia’s artists and enthusiasts go the extra mile, infusing the art scene with astounding creative energy. INTERNATIONAL EXHIBITIONS A selected number of artists have been busy creating works based on colonial history for the 2017 Europalia Arts Festival, an international biannual arts and culture festival in Europe, which this year took Indonesia as its focus country. At the four-month festival, which runs until Jan. 21 next year, Indonesia aims to showcase the country’s diversity by presenting nearly 250 programs. Read also First exhibition for Indonesian comics history held in Brussels Meanwhile, a number of artists took part in the exhibition “Sunshower Contemporary Art from Southeast Asia 1980s to Now,” held at the Mori Museum and the National Art Center in Tokyo, which is now on its way to Fukuoka. While it is not immediately known how many other international events have included Indonesian artists, it seems there was a huge amount of creative energy on the move. Given the abovementioned successes, the outlook for next year is fairly optimistic. KALIJODO Artist Teguh Osentrik poses in front of his art installation made with four slabs of berlin wall in Kalijodo Park, North Jakarta, Tuesday, September 26, 2017. The installation titled JP/Seto Wardhana Veteran artist Teguh Ostenrik wowed the public by setting up four authentic sections of the Berlin wall in his thrilling art installation, titled Patung Menembus Batas Sculpture that Breaks Boundaries at the Kalijodo child friendly integrated public space in Jakarta, which the artist created in memory of the Berlin Wall, and which he related to current situations at home. Read also Teguh Ostenrik’s Berlin Wall in Jakarta Art to overcome divisive powers The artist waited for 27 years before finally making the project a reality in Jakarta. The wall was the defining symbol of the Cold War that divided East Berlin and its Western parts and Europe from 1961 to 1989. Teguh himself lived near the wall for over 10 years. “I saw the perilous impact of the wall in Berlin, the dramatic and fatal impact [the wall] had on human lives and I felt signs of similar trends had already reached my country back then.” YOUNG TALENT Youthful force A visitor poses with Ronald Apriyam’s paintings at Art Jakarta 2017 at Pacific Place in Jakarta. The arts fair, previously known as Bazaar Art, showcased a wide range of works by young artists and positioned itself as the people’s arts fair. JP/Carla Bianpoen The rise of young talent could easily be seen this year at Art Jakarta formerly Bazaar Art, where upcoming artists from various parts of Indonesia revealed a surprising creativity in work and thought. Great artistic talent was also revealed in the fifth edition of the Bandung Contemporary Art Awards BaCAA held for artists under 40, showing an ever advancing number of excellence in works with creative concepts including social matters, scientific knowledge and humane sensitivity. Read also Here’s what you shouldn’t miss at 2017 Art Jakarta Worth mentioning is the publication of LipLap, a book on 35 Bandung artists under 35, which was conceptualized by young artists in cooperation with artist-led Gerilya Gallery and Omnispace, and supported by Melbourne-based collector Konfir Kabo’s Project 11, which is described as “a giving initiative which seeks to support artists and projects that make an imprint on their field.” There was also the “Bandung Re-Emergence” exhibition at the Selasar Sunaryo gallery, which challenged artists of the previous “Bandung New-Emergence” to review their works with today’s interpretation. ART STAGE JAKARTA The surge of creative energy in Indonesia’s art world, especially in the second half of the year, was marked by, among other things, the launch of the ALEQS, an art award founded by Art Stage Jakarta, which was in its second iteration this year. JP/Carla Bianpoen The surge of creative energy in Indonesia’s art world, especially in the second half of the year, was marked by, among other things, the launch of the ALEQS, an art award founded by Art Stage Jakarta, which was in its second iteration this year. Encompassing the entire art ecosystem, this first-ever award was handed to the best in 13 separate categories displaying Authenticity, Leadership, Excellence, Quality and Seriousness in art. The awards included Best Collector, Best Curator, Best Artist, Best Gallery, Best Gallerist, Best Young Curator, Best Young Gallery and Best Senior Collectors. The Best Collector award was won by businessman Haryanto Adikoesoemo, whose collection encompasses local and international artworks and who is also the owner of the newly opened Museum of Modern and Contemporary Art in Nusantara Museum MACAN. Other winners were long-durational performance artist Melati Suryodarmo, who is also this year’s director of the Jakarta Biennale; Enin Supriyanto, who won the Best Curator award; ROH Projects, which received both the Best Gallery and Best Young Gallery awards; and the Indonesian Visual Art Archive IVAA, which collected the award for Best Art Institution. Life Achievement Awards were also given to senior curator Jim Supangkat, senior artist Sunaryo and senior collector Ciputra. The Bhinneka Award recognized the work of the Jatiwangi Art Factory arts community in West Java, which focuses on researching the lives of people in the area through art. MUSEUM MACAN Melt triptych, 2008 by Entang Wiharso Museum MACAN collection/File Another excitement in Indonesia’s art scene this year came when the long-awaited Museum MACAN in West Jakarta opened its doors to the public on Nov. 3. Prior to the vernissage, the museum organized contemporary art performances by renowned artists from Indonesia and abroad, acknowledging performance art as a contemporary art form. At its inaugural exhibition, titled “Art Turns. World Turns,” the museum, which is the country’s first museum dedicated to modern and contemporary art, displays 90 out of the owner’s some 900 art works, both Indonesian and international pieces, which have been amassed over a 25-year period. The museum’s director Aaron Seeto praised Haryanto as a unique collector because his collection is of great strength, quality and artistic resource. “And when other [collectors] have been singularly focused on Indonesia, his collection has, from its inception, been both locally and internationally focused,” said Seeto. The exhibition, which is up and running until March 18 next year, correlates either issue-wise or time-wise, denoting a conceptual vision that fits the spirit of our time. BIENNALES Tribute to ancestors Balinese artist Ni Tanjung’s artwork depicting gods, ancestors and mythological animals sits on display at the Jakarta Biennale. JP/Carla Bianpoen Equally exciting was that Indonesia hosted three biennales — the Jogja Biennale, the Makassar Biennale in South Sulawesi and the Jakarta Biennale — from November to December this year. The Jakarta Biennale showcased its groundbreaking inventions and excelled in presenting a new understanding of contemporary art in Indonesia. For the first time, the biennale appointed a woman, Melati Suryodarmo, as its artistic director. The theme Jiwa Soul for the biennale can be understood the all-encompassing energy and creative spirit flowing from the past or the memory of it, to the present time and on toward new visions. Jiwa opened with a traditional ceremony performed by bissu — the androgynous shaman community from South Sulawesi, included works of Balinese outsider art, and revived works from senior artists of the past and present, such as Semsar Siagian, Hendrawan Ryanto, Siti Adiati and Marintan Sirait. The biennale also included famous international artists and presented 27 performances the most ever in a biennale as well as new and existing video works by strong female filmmakers from Argentina, Indonesia, the Philippines and Mexico. The Jogja Biennale continued its Equator series, now in its fourth edition, this time cooperating with Brazil, with the main theme “Stage of Hopelessness,” presenting the works of 12 Brazilian artists and 25 Indonesian artists. The Makassar Biennale marked its second edition this year, taking “Maritime Culture” as its artistic concept, with participating artists including a Taiwanese artist, who explored similarities between certain features of Makassar, historically renowned for its strategic location during the spice trade period, and his homeland. + view more Ratu Rizkitasari Saraswati born in Jakarta, Indonesia based in Amsterdam, the Netherlands Ratu R. Saraswati, b. 1990 uses storytelling, performance and photography to engage with people as she aims to nurture empathetic relationships. Saras obtained her BFA from the Faculty of Art and Design’s Institut Teknologi Bandung in 2013. In 2015, she was a resident at Sàn Art, Ho Chi Minh City, Vietnam. In the same year, she was a finalist of the national Indonesian Art Award, followed by the Bandung Contemporary Art Award 2017. Her performances have been commissioned for Jakarta Biennale 2017 and Biennale Jogja 2019. She is a resident at the Rijksakademie van beeldende kunsten, Amsterdam, The Netherlands from 2020 - 2022. ​ ​ ​ ​ Photo credit Verena Blok

bandung contemporary art award 2017